![Filmore West, San Francisco, 1/3/69 (SYEOR 2022): - The Grateful Dead [VINYL Limited Edition]](/images/goldendiscshub.shop/images/product/filmore-west-san-francisco-1-3-69-syeor-2022-the-grateful-dead-vinyl-limited-edition-1.jpg)
Filmore West, San Francisco, 1/3/69 (SYEOR 2022): - The Grateful Dead [VINYL Limited Edition]
Filmore West, San Francisco, 1/3/69 (SYEOR 2022): - The Grateful Dead [VINYL Limited Edition]
Available for the first time on Vinyl. Produced for release by David Lemieux. âMany years ago, in the tape trading era, there were certain years in the Grateful Deadâs history for which tapes were quite rare; thankfully, the tapes from the rarer years that we did have in our collections tended to be some of the best of that particular year. And from the 1969, the tape that we listened to more than any other was 3/1/69.
It is an exceptionally well-played show, and is a microcosmic representation of the Grateful Deadâs three albums from 1968-1969, played chronologically. Opening with Anthem Of The Sunâs Thatâs It For The Other One and the penultimate live performance of New Potato Caboose, the show then proceeds with four straight songs from the next album, 1969âs Aoxomoxoa. These then flow directly into the piece de rĂ©sistance, the Live/Dead suite. Even by 1969 standards, 3/1/69 has a manic, controlled-chaos energy, most certainly feeling like a Saturday night celebration at their hometown venue, which it was. From a year with countless A+ performances, 3/1/69 stands out as one of the best.â â David Lemieux.
Original: $137.63
-65%$137.63
$48.17Filmore West, San Francisco, 1/3/69 (SYEOR 2022): - The Grateful Dead [VINYL Limited Edition]
Available for the first time on Vinyl. Produced for release by David Lemieux. âMany years ago, in the tape trading era, there were certain years in the Grateful Deadâs history for which tapes were quite rare; thankfully, the tapes from the rarer years that we did have in our collections tended to be some of the best of that particular year. And from the 1969, the tape that we listened to more than any other was 3/1/69.
It is an exceptionally well-played show, and is a microcosmic representation of the Grateful Deadâs three albums from 1968-1969, played chronologically. Opening with Anthem Of The Sunâs Thatâs It For The Other One and the penultimate live performance of New Potato Caboose, the show then proceeds with four straight songs from the next album, 1969âs Aoxomoxoa. These then flow directly into the piece de rĂ©sistance, the Live/Dead suite. Even by 1969 standards, 3/1/69 has a manic, controlled-chaos energy, most certainly feeling like a Saturday night celebration at their hometown venue, which it was. From a year with countless A+ performances, 3/1/69 stands out as one of the best.â â David Lemieux.
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Available for the first time on Vinyl. Produced for release by David Lemieux. âMany years ago, in the tape trading era, there were certain years in the Grateful Deadâs history for which tapes were quite rare; thankfully, the tapes from the rarer years that we did have in our collections tended to be some of the best of that particular year. And from the 1969, the tape that we listened to more than any other was 3/1/69.
It is an exceptionally well-played show, and is a microcosmic representation of the Grateful Deadâs three albums from 1968-1969, played chronologically. Opening with Anthem Of The Sunâs Thatâs It For The Other One and the penultimate live performance of New Potato Caboose, the show then proceeds with four straight songs from the next album, 1969âs Aoxomoxoa. These then flow directly into the piece de rĂ©sistance, the Live/Dead suite. Even by 1969 standards, 3/1/69 has a manic, controlled-chaos energy, most certainly feeling like a Saturday night celebration at their hometown venue, which it was. From a year with countless A+ performances, 3/1/69 stands out as one of the best.â â David Lemieux.











